Screenwriting for profit: writing for the global marketplace
Not available
New York
9781315668659
Not available
first edition
Includes bibliographical references and index
Screenwriting for Profit: Writing for the Global Marketplace teaches readers how global trends define the marketplace for salable screenplays in key international territories as well as the domestic market. Veteran writer, producer, and director Andrew Stevens gives you the insider edge you need to write for the global marketplace, sharing his decades of experience producing and financing everything from micro-budget independent films to major studio releases. In leveraging Stevens’s comprehensive experience, you will learn how to determine specific subject matter, genre, and story elements to make the most of international sales trends and harness the power of these insider strategies to craft a screenplay that is poised to sell.
1 online resource (216 pages)
Not available
illustrations
chapter 1. Critical Criteria Before Determining Your Subject Matter --
chapter 2. The Independent Film and Television Alliance and the American Film Market -- Services and Opportunities That Benefit Screenwriters --
chapter 3. The Cannes Film Market and Festival --
chapter 4. Writing for the Marketplace --
chapter 5. Building a Career-Everyone Starts Somewhere --
chapter 6. Historical Context of the Recent Evolution of Media Gives Writers Perspective --
chapter 7. Screenplay Structure and Components --
chapter 8. Inspiration, Sequels, Remakes, and Reboots --
chapter 9. Character Development From an Actor's Perspective --
chapter 10. A Screenwriter's Perspective --
chapter 11. A Director's Perspective --
chapter 12. A Producer's Perspective --
chapter 13. Writing for Cost-Effective Budgets --
chapter 14. Financing -- chapter 15. Writing Is a Team Sport --
chapter 16. Studio Due Diligence --
How the Big Boys Cater to the Little Boys --
chapter 17. New Media-New Model-As Significant as the Majors --
chapter 18. Non-Union vs. Union Writers' Agreements --
chapter 19. Writers' Protections --
chapter 20. Non-Disclosure, Non-Circumvention, and Confidentiality Agreements --
chapter 21. Screenplay Submissions --
chapter 22. The Pitch.
chapter 2. The Independent Film and Television Alliance and the American Film Market -- Services and Opportunities That Benefit Screenwriters --
chapter 3. The Cannes Film Market and Festival --
chapter 4. Writing for the Marketplace --
chapter 5. Building a Career-Everyone Starts Somewhere --
chapter 6. Historical Context of the Recent Evolution of Media Gives Writers Perspective --
chapter 7. Screenplay Structure and Components --
chapter 8. Inspiration, Sequels, Remakes, and Reboots --
chapter 9. Character Development From an Actor's Perspective --
chapter 10. A Screenwriter's Perspective --
chapter 11. A Director's Perspective --
chapter 12. A Producer's Perspective --
chapter 13. Writing for Cost-Effective Budgets --
chapter 14. Financing -- chapter 15. Writing Is a Team Sport --
chapter 16. Studio Due Diligence --
How the Big Boys Cater to the Little Boys --
chapter 17. New Media-New Model-As Significant as the Majors --
chapter 18. Non-Union vs. Union Writers' Agreements --
chapter 19. Writers' Protections --
chapter 20. Non-Disclosure, Non-Circumvention, and Confidentiality Agreements --
chapter 21. Screenplay Submissions --
chapter 22. The Pitch.
| Access no. | Call number | Location | Status |
|---|---|---|---|
| 01163/24 | 808.23 Ste S | Online | Available |