1. Introduction --
Part I. Race and Racism in Contemporary Theatre --
2. The American Theatrical Canon and the Struggle for Racial Equality in British Theatre --
3. Racialization and Contemporary German Theatre --
4. Dangerous Dialogues': Questioning Constructions of Race in South Pacific Theatre --
5 Staging the Ambiguities of Race: Polymorphous Indigenous Dramaturgies in Canada --
6. Representing the Roma Experience on the Contemporary Romanian Stage: The Intersectional Lenses of Giuvlipens Anti-racist and Feminist Theatre Works --
Part II. War, Conflict and the Nation --
7. Race as Category in Nazi German Theatre --
8. Maori Theatre in Not-Quite-Post-Colonial Aotearoa New Zealand --
9. Racial Nationalism and the Serbian Theatre: From Radovan III to DAH --
10. The Palestinians in the Israeli Theatre --
11. Faces of a Long Unspoken Collective Trauma: Theatrical Representations of Friendship, Love, Betrayal, and Pain in the Landscape of War in Contemporary Turkey --
12. Staging Race in White South African Afrikaans Theatre --
Part III. Blackness and the African Diaspora --
13. In the Prison of Their Skins: Performing Race in Caribbean Theatre --
14. Black Women in Post-revolutionary Cuban Theatreer --
15. Black Performances and Black Artists Performing in Contemporary Brazil --
16. Lackface: Blackface Masking in Contemporary US Theatre --
17. Fighting Racism on the Contemporary Francophone Stage --
18. Though we are written into the landscape you dont see us (Testament, 2018). Black Faces in White Spaces: Whiteness as Terror and the Terror of Un-belonging in Black Men Walking --
Part IV. Constructions of Whiteness and the Other --
19. A Wretched CaricatureUnworthy of America: Charles Mathewss Representation of the Yankee --
20. The Language of Blackness: Representations of Africans and African-Americans on the British Stage After Uncle Toms Cabin --
21. Susan Glaspells Trifles and Inheritors: White Settler Hunger, Debt and the Blackhawk Purchase Lands --
22. Beyond the Peyote Dance: The Raramuri Tribe and Mexico Representations in Antonin Artauds Work --
23. Representing and Re-presenting Others in Yoruba Performance --
24. Pigs and Dogs and The Bogus Woman: Racialized Performance in Anglo-British Women Playwrights --
25. Race, Occidentalism/Orientalism and Sino-centrism in Contemporary Chinese Theatre.
Access no. | Call number | Location | Status |
---|---|---|---|
00832/21 | 792.089 Pal | Online | Available |